landscape

My most challenging landscape painting yet!

I am so proud to now finally reveal to you the finished Naseby painting. This painting has been a long time in the making, but as we all know good things take time. It is a commission for the best clients an artist could hope for.

But first, the story behind the painting.

Like every good project, it started with a conversation. I asked “When is your favourite time of year to visit this spot?” The answer was autumn, when the leaves had turned into dreamy, warm tones. So we waited a few months, and in May of 2018 Mark and I drove to Naseby - a little over 5 hours from Christchurch.

Up at sunrise the next morning I remember the crisp autumn air, the stillness of the water, the dew on the grass, and the stunning golden morning light on the trees. We wandered around some of the clients’ favourite spots in Naseby and I could quickly see why this was their favourite time of year. Naseby was popping with yellows and oranges, and I was so incredibly inspired!

It was apparently a difficult choice to make as the colours gave such a wide array of amazing shots. However, their favourite fishing spot, Coalpit Dam, was chosen from the several hundred photos I had taken that morning.

It wasn’t until August when the easel became free for the Naseby project after finishing a portrait commission. Or should I say easels; the canvas is so large I had to buy a second easel to hold it up. This was the largest canvas I have tackled to date.

The scale of the canvas took some time to get use to. At 1620mm wide by 760mm high, it was a lot larger than my usual landscapes. My inner critic was rather tough on me, and I questioned myself consistently. I was really surprised at how mentally challenging this project was, and it wasn’t until the final stages that I had convinced my brain that it was all going to work out just how I planned. I’m thrilled with the final result, and the challenge of getting through the self-critique has made it all the more rewarding.

I love that my clients challenge me, and this project has been one of the most challenging landscapes I have ever worked on. I have learnt so much and feel so proud that this is now complete. I also have the bonus of enjoying it while it dries before the trip south to deliver it to its lucky new owners..

In time I will release a ‘behind the scenes’ video. For now, check out the photos below.

Thanks for joining me.

Looking proud next to the final painting.

Looking proud next to the final painting.

‘Morning Light on Coalpit Dam’ 1620x760mm, Oil on canvas, 2019.

‘Morning Light on Coalpit Dam’ 1620x760mm, Oil on canvas, 2019.

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Behind the scenes progress photos:


Where in the world is Georgette?

…She’s back in New Zealand.

My apologies for the radio silence from me all year. 2019 has started off with a bang!

It started with our engagement at the end of last year. Mark proposed at our favourite sailing spot - Charteris Bay in Lyttelton Harbour. Down by the waters edge at the boat ramp, the love of my life asked me to marry him, and of course I said YES! This made for an extra happy New Years Eve!

We wanted to celebrate our engagement with family and friends at our home, but needed to do alterations to our deck first. There’s nothing like a deadline to get things done! So all of January saw us demolishing and completely re-building half of the deck! The party was on a perfect Summer’s day so everyone got to enjoy our handiwork.

Mark and I building the deck.

Mark and I building the deck.

Mark and I at our engagement party standing on the deck.

Mark and I at our engagement party standing on the deck.

Japan adventures

In March we flew to Japan for 2 1/2 weeks of adventure, culture, history and craziness. Highlights included: tree skiing at Kiroro ( in Hokkaido), a cooking lesson in Osaka, singing Karaoke with the locals till 3am, dressing up in a kimono in Kyoto, and the madness of the robot restaurant in Tokyo.

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If you are visiting Japan I highly recommend the Tokyo Metropolitan Art Museum and teamLab Borderless Tokyo (Digital Art Museum) - this exhibition was full of colourful interactive projections, lights, lanterns and fun. An exhibition you can easily get lost in!

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While in Japan I decided to treat myself with a visit to Pigment - the most stunning, well designed art store I have ever seen. The Japanese have an effortlessly elegant approach of presentation, and Pigment was no exception. I treated myself to some beautiful traditional sumi brushes, bamboo paper and a gold leaf kit. I am looking forward to trying these out!

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What’s on the easel?

I have been busy working on the Nasbey landscape oil painting. I am now in the final stages. My list of things left to do is getting smaller and smaller which makes it very exciting. These final details are sometimes subtle and the colour is critical to get right. Therefore I can no longer paint at night as the fake light plays with the colours. So I have a policy to only paint during daylight hours, which means I have to wait to the weekends. I am looking forward to the Easter break to get some day light hours on the piece. Here is it now on the easel. Not far to go! Stay tuned. Thanks for stopping by.

Working in progress, Naseby oil painting, 1620x760mm.

Working in progress, Naseby oil painting, 1620x760mm.


Tractor Heaven Oil Painting - Time Lapse

A time lapse of a painting I created in 2017. Watch 'Tractor Heaven' come to live throughout the layers.

This is a view of Paton's Rock beach in the Golden Bay area of New Zealand's South Island. I was holidaying here one summer and was very curious as to why the tractor would sit out there for hours.

If you watch closely you can see when I changed the size of the tractor dramatically. 

‘Tractor Heaven’ 2017, Oil on panel, 200 x 200mm , (7.8 inx 7.8 in)

‘Tractor Heaven’ 2017, Oil on panel, 200 x 200mm , (7.8 inx 7.8 in)

Finished and sitting on the easel.

Finished and sitting on the easel.


Journey to Sunlight - Oil Painting

It's not often that the client is living in the same house. My good friend and flatmate Matt commissioned me to paint a scene that he had photographed from Mt Hutt looking down on the Rakaia Gorge. With the patchwork nature of the Canterbury Plains I knew it was going to be a challenge! And one I couldn't hide from the client :)

During the painting process there are times when it looks nothing like the final outcome. But the painter has the proceeding layers mapped out in their head. Thankfully Matt enjoyed watching the painting throughout each of the stages.

Below you can see some of the steps throughout the project. I have also created a time lapse of the painting coming together.

Early stages.

Early stages.

Detail of brushwork.

Detail of brushwork.

Working at night requires extra lighting.

Working at night requires extra lighting.

Colour matching is so much easier outside.

Colour matching is so much easier outside.

Journey to Sunlight, 2018, Oil on canvas, 900 x 450mm (35.4 in x 17.7 in)

Journey to Sunlight, 2018, Oil on canvas, 900 x 450mm (35.4 in x 17.7 in)


Landscape Oil Painting - Mt Aspiring

This painting was such a thrill to create. I worked from a photograph I took from a helicopter of Mt Aspiring, New Zealand. How lucky I felt to see this magnificent mountain up close! 

Watch this artwork come together from sketch through to the final result.

To read more about this painting see an earlier post here.

Mt Aspiring, 2017, Oil on canvas, 700 x 400mm , (27.5 in x 15.7 in)

Mt Aspiring, 2017, Oil on canvas, 700 x 400mm , (27.5 in x 15.7 in)


Yosemite Landscape Painting - Process Photos

It is hard to believe it has been 8 years since I started painting the Yosemite painting. It took me over a year to complete and it travelled from America to New Zealand with me.

Here are some photos of the process and a younger looking me!

The very begining. 

The very begining. 

I had to use two easels to hold up this rather large blank canvas. It was winter time in the States and the sun would go down about 5pm so I was often working under lights.

So intent on get the right view point I would kneel for hours.

So intent on get the right view point I would kneel for hours.

Early stages.

Early stages.

The last progress photo in the States before transporting the painting to New Zealand.

The last progress photo in the States before transporting the painting to New Zealand.

Progress in New Zealand.

Progress in New Zealand.

Now working in the New Zealand Winter under lights.

Now working in the New Zealand Winter under lights.

The final push to the end.

The final push to the end.

I remember small sections would take me hours.

I remember small sections would take me hours.

The final piece. Yosemite. 2011, Acrylic on canvas, 1016mm x 609mm (40 in x 24 in)

The final piece. Yosemite. 2011, Acrylic on canvas, 1016mm x 609mm (40 in x 24 in)

The artwork now resides back in the States in California. It took over 125 hours to paint and was one of my most ambitious pieces of that time. The detail of this landscape was a challenge I relished. See some of the detail up close in the photos below.

 

Painting Time Lapse - The entire process

Wahoo!! My first ever time lapse of the entire painting process!! I've learned so much and made so many mistakes along the way from filming to editing and spent waay to long selecting the 'right song' but here it is.

I wanted to show the whole process from prepping the board right through signing it off. Still getting the hang of filming there were some mishaps along the way. I missed most of the sketching as I hadn't properly hit record and I took 20 minutes of blurry film as I hadn't focused the scene.

Compressing many hours of film down to 1 minute is quite the task. What I found super interesting while editing was that well over half the time the brush is not on the canvas. I didn't calculate the percentage but it was rather high. There is a lot of thinking that happens when painting, always planning your next move, and as you know there is no handy undo button.


Grazing in Glentunnel - Landscape Oil Painting

It's always satisfying looking back over the process of a painting in retrospect and seeing it come to life. Throughout the process there are often times when it feels like portions are not working out. It's part of the challenge of painting - resolving areas until you are happy with the final result.

Here is 'Grazing in Glentunnel' from start to finish shown in progression. At the end of each step or session I would take a photo. First is the acrylic wash, then a charcoal sketch and then building up the oil layers.

Music: Good Old Times (Alex Cohen)

Grazing in Glentunnel, 2017, Oil on canvas, 700 x 400mm , (27.5 in x 15.7 in)


Grazing in Glentunnel - Landscape Oil Painting

It's not every day you get to 'break into' a house to deliver a painting. This was the surprise waiting for the client arriving home from her honeymoon. By 'break into' I mean - let in by the house-sitter to hang the painting in place.

Grazing in Glentunnel insitu above the fire place.

Grazing in Glentunnel insitu above the fire place.

I started this commission in January, it was to be a surprise wedding gift. So I have been itching to reveal the results - but only after the client had seen it first! Thankfully they arrived home yesterday.

I am stoked with how this painting worked out and I am truly going to miss it. I find the colours so typically 'kiwi' and restful yet there is also an energy to vibrant colours. I took a series of photos out at the farm to work from. I returned home thinking I hadn't quite captured the true essence of the place but after a little merging of different shots I came up with a composition that both I and the client were happy with.

This was my first time painting a cow I'm quite happy with how this came out. Check out some of the detail photos below.

Grazing in Glentunnel, 2017, Oil on canvas, 700 x 400mm , (27.5 in x 15.7 in)

Grazing in Glentunnel, 2017, Oil on canvas, 700 x 400mm , (27.5 in x 15.7 in)

Detail photos - click on the right side of the photo to see more.


Mt Aspiring Painting Finished

Finished this bad boy of Mt Aspiring last week. It ended up taking longer than I expected to complete this painting. I had thought I would try a quicker style on this but then I couldn't resist and had to put the detail back in. As I explained in an earlier post this landscape is painted from a photo I took helicoptering over the Southern Alps. I remember circling Mt Aspiring, the sharp peaks standing so impressively. There were some hikers near the top on the other side which made me feel rather lazy at that moment. I bet it was hard work getting up that high!

As always, I learn from every painting. This time I was reminded of the value of "just paint over it and start again". I had a particular corner of this painting that was not working. I struggled with it for weeks until I just went over it. Fixing the corner in a matter of minutes! Sometimes a fresh approach is all you need.

Mt Aspiring, 2017, Oil on canvas, 700 x 400mm , (27.5 in x 15.7 in)

Mt Aspiring, 2017, Oil on canvas, 700 x 400mm , (27.5 in x 15.7 in)


Visiting family and a painting

There is something really nice about seeing a painting again after some years. I got to see this gem again on a recent trip to the States to visit my sister, her husband and my new niece. I had painted this as a wedding gift for them. My brother-in-law took this panorama of Yosemite as I hadn't been there. The painting spanned over a year, taking some 130 hours. I started the painting in California and finished it back in NZ before the painting was eventually settled back in California. It's a well travelled painting! Years later I visited Yosemite at that very spot and it was the most surreal feeling. It was like walking into my painting.

Yosemite, 2011, Acrylic on canvas, 1016mm x 609mm (40 in x 24 in)

Yosemite, 2011, Acrylic on canvas, 1016mm x 609mm (40 in x 24 in)


Mt Aspiring - Work in progress

I am currently working on a landscape of Mt Aspiring, New Zealand. I took this photo from a helicopter as we were crossing the Southern Alps. My brother-in-law took my sister, partner and I on a trip in 2014 and I still cherish the memory of that trip, even though, I was a bit scared of the helicopter wobbling about in what was actually a very still day (thank fully). I am happy with progress and I will show the finished piece soon.

Work in progress on Mt Aspiring, Oil on canvas.